AMOS VOGEL FILM AS A SUBVERSIVE ART PDF

Werner Herzog and Amos Vogel. His commitment to a particularly wide range of independent cinema and determination to find and screen what conventional audiences would find challenging quickly required Cinema 16 to become a private membership organisation so as to avoid the then-stringent New York State censorship laws. During the seventeen years that he ran Cinema 16, Vogel developed a habit of making notes on each film he saw and filing these notes so they could be accessed later on — a necessary procedure so that he could intelligently select the few dozen films there was time to present during a particular exhibition season. This made Film as a Subversive Art possible. Vogel wrote the book during the early s, using a general procedure reminiscent of his programming. This required him to select those films that seemed most significant as subversions of conventional expectation and then organise them into a coherent ongoing experience.

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Film as a Subversive Art

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Film as Subversive Art

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