Log in Become a member. Product presentation. Average Score: 4. You can insert it directly into a mic signal to reduce feedback from that single mic, or put the unit through the line-level PA system, to use some of the other features on the overall PA sound.
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Always with customised added value for musicians. Do you believe this rating to be inaccurate or unacceptable for some reason? Millenium MPSX E-Drum Mesh Set, Set containing 1x 10" dual zone mesh snare pad, 3x 10" dual zone mesh tom pads, 1x 8" mesh head kick pad with pedal, 1x 10" hi-hat pad with controller mounted on stand,1x 12" dual Analogue Synthesiser VCO 1 with 4 miscible waveforms sawtooth, triangle, pulse and suboctave , Pulse width modulation and two adjustable modulation sources, VCO 2 with 3 mixable waveforms sawtooth triangle and suboctave and two adjustable modulation sources, Low pass filter Effect pedal for electric and acoustic guitar Reverb, TC MASH technology transforms the foot switch into a pressure-sensitive expression controller, New Schimmer-Reverb Algorithm, The Analog-Dry Through maintains the integrity of the dry signal when the reverb is switched on, Multimedia Monitors Equipped with a 3" woofer and a 0.
Available immediately This item is in stock and can be dispatched immediately. Standard Delivery Times. Related Products. I'm very much an amateur when it comes to sound gear, but this is definitely a useful product But to be fair, once you're set-up, you're unlikely to need to change those settings.
I haven't explored all the features of this product Great price too!! Please give us the reason for your assessment in the following text box and — if possible — your e-mail address for further questions.
Send report. The delay section is still to be checked. I'll start this review by saying that I'm not a particularly big fan of Behringer equipment, nor in principle had I considered myself a fan of feedback destroyers. Im' inclined to think that the best way to combat feedback is to set up correctly, however there are situations where it is nigh on impossible to get level without feeding back, our bands rehearsal room is such one.
Having exhausted all possibilities, playing quieter, ringing out the room with a 32 band eq etc we came to the conclusion that maybe it was time to try something like this.
A last resort which in actuality has taken us by surprise. This product has allowed me to get vocals significantly louder without inducing feedback. It is undeniable that there is some detriment to the tone, however it does at least afford me the ability to hear myself in a small rehearsal space.
We set the learn filter and then we get to a point where we actually try and induce feedback, I will sing through my range and there will usually be a point where feedback begins, as I hold that pitch, it detects it and cuts that frequency. It can cut up to 12 of them, and with us, it does! Its a nice feeling to feel it working, that horrible feeling when you feel you are about to be swallowed up by feedback just dissipates to nothing Unless it fails, or has more feedback than it can take, at which point the floodgates are open and you are exposed to the deafening sound that it would sound like where you to try and get to that level without it.
Obviously you cant cut 12 frequencies without effecting the tone in a noticeable way, but for rehearsals at least the tone is of less concern than an inability to hear myself, which is terrible for the voice as it induces strain. Its not a miracle device, if there is too much feedback it wont be able to handle it, and also we've only been using ours briefly so cannot comment on durability. There is one obvious design flaw and that is that the power cable is not locked so the power cable is prone to come out leaving you exposed.
Where this to happen live it would be horrible. Finally I would also like to qualify my review by saying that I award the stars on the basis of what you get for the money. I am aware there are products on the market that do the job to an apparently higher standard. However, I think for the money, you get full value. As with everything Ive ever bought with Thomann, wonderful service, the best price for the item new that I could find online and the security of a 30 day no quibble return should you decide you don't like it.
Also, just the fact that should anything go wrong with the product they go above and beyond to rectify the situation. We use this in our band practice gets very loud. Vocals were overrun. We use decent supercardioid mics, keyboard and we have also tested electric violin.
Violin feedbacks quite easily and this box helps a bit, still gate pedal would be enough. Our mixer is quite old and does not have features like compressor..
So we are using the compressor a little, gate and auto feedback frequenzy kill from this box. This little box really does help. We can add few dbs to PA volume as well.
It really makes a difference. So got a bit more volume for vocals and very little feedback issues. We check the max volume levels before feedback issues start with this unit on, mark "max volume" and then back off the volumes to normal levels still loud.
This unit does change the tone quite a lot. If it is pure, open, harmonic, rich what you want, then this might not work tonally for you. For us the more controlled, compressed and "cleaned" sound with this box activated is better for us than without it. User guide could be better. Does help a little, but will not do wonders.
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We do not accept liability for typographical errors or inaccurate information of any kind. Behringer CAT Analogue Synthesiser VCO 1 with 4 miscible waveforms sawtooth, triangle, pulse and suboctave , Pulse width modulation and two adjustable modulation sources, VCO 2 with 3 mixable waveforms sawtooth triangle and suboctave and two adjustable modulation sources, Low pass filter Fender SQ Bullet Comp.
FabFilter Saturn 2 FabFilter Saturn 2 ESD ; multiband distortion plugin; variable distortion and saturation effect with up to 6 frequency bands, with optional linear phase processing; 28 different distortion styles, from subtle analog saturation to brute digital; adjustable slope for the crossovers, offering Share Twitter Email. Feedback Found an error or want to give us feedback about this page? We're looking forward to hearing from you and aim to solve any problems as soon as we can.
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Behringer Shark DSP110 Feedback Filter And Preamplifier
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Behringer Shark FBQ100
For once in behringer, a product that offers the most part, the fact that good and no frills. The Knight Level 3 Expert Answers. In addition to the quality numrique bit, with inputs and outputs XLR and Jack, Mic with a super pre-amp and line. This includes heavy and oversized items. However, in many cases, the unit will detect too many frequencies, and it will affect the overall sound greatly. Get it for less at zZounds. But this is not the same either.