Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization, linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the CD.
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Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization, linear writing, and counterpoint for 2, 3, 4, and 5 horns.
A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for small jazz ensembles. A useful discography is included at the end of each chapter.
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Verified Purchase. I studied 2 years with Bill at Eastman in the 70's, and he talked a lot about Ellington's linear approach, how after you transcribed his big band arrangements, you found a lot of seemingly non-sensical vertical sonorities.
This book is the fruit of his exhaustive endeavors, and offers a fresh, lucid approach to the understanding of part harmonies functioning contrapuntally, as independent linear melody, not flying chord progressions at eighth-note speeds. This book will show you alternatives, and fresh approaches to your harmonic arranging vocabulary.
Excellent tex with many good ideas. It was good it just took too long to be delivered A great book to enjoy and learn from the talent of the authors. I recommend buying this book, , it is a good investment. Go to Amazon. Back to top. Get to Know Us.
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BIOPALIWA DRUGIEJ GENERACJI PDF
The Global Source for Jazz
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Jazz Arranging & Composing : A Linear Approach, Book & CD
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization, linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano or for following the performances on the CD.